Review of Constance Maund, Hume’s Theory of Knowledge, Oxford Magazine 57 (1938–9), 224–5
Review of Constance Maund, Hume’s Theory of Knowledge, Oxford Magazine 57 (1938–9), 224–5
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‘Oxford Subscription Concert’, Oxford Magazine 56 (1937–8), 470–1
‘Oxford Subscription Concert’, Oxford Magazine 56 (1937–8), 470–1
‘Laws of Musical Sound’, review of Sir James Jeans, Science and Music, London Mercury 37 (1937–8), 356
‘Laws of Musical Sound’, review of Sir James Jeans, Science and Music, London Mercury 37 (1937–8), 356
‘Gramophone Notes’, Oxford Magazine 56 (1937–8), 770–1; 57 (1938–9), 243
‘Gramophone Notes’, Oxford Magazine 56 (1937–8), 770–1; 57 (1938–9), 243
‘The Development of Modern Music’, review of Gerald Abraham, A Hundred Years of Music, Spectator 161 (1938), 489–90
‘The Development of Modern Music’, review of Gerald Abraham, A Hundred Years of Music, Spectator 161 (1938), 489–90
Review of Julius Weinberg, An Examination of Logical Positivism, Criterion 17 (1937–8), 174–82; repr. as ‘Logical Positivism’ in CC2
Review of Julius Weinberg, An Examination of Logical Positivism, Criterion 17 (1937–8), 174–82
(unattributed) ‘Toscanini’, Oxford Magazine 55 (1936–7), 719–20
(unattributed) ‘Toscanini’, Oxford Magazine 55 (1936–7), 719–20
‘The Mass in D’, review of a performance of Beethoven’s Missa Solemnis, Oxford Magazine 55 (1936–7), 558–9
‘The Mass in D’, review of a performance of Beethoven’s Missa Solemnis, Oxford Magazine 55 (1936–7), 558–9
‘Gramophone Notes’, Oxford Magazine 55 (1936–7), 568
‘Gramophone Notes’, Oxford Magazine 55 (1936–7), 568
‘The Father of Anarchism’, review of E. H. Carr, Michael Bakunin, Spectator 159 (1937), 1186
‘The Father of Anarchism’, review of E. H. Carr, Michael Bakunin, Spectator 159 (1937), 1186