The Isaiah Berlin Catalogue
(unattributed) ‘The Collected Poems of G. K. Chesterton’, review of The Collected Poems of G. K. Chesterton, Pauline 46 no. 306 (February 1928), 13–15
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‘Reflections on the Art of John Armstrong (O.P.)’, Debater (St Paul’s School) no. 9 (March 1928), 4
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The Truro Prize Essay (1928) (on freedom), Debater (St Paul’s School) no. 10 (November 1928), 3, and no. 11 (July 1929), 22
- repr. as ‘Freedom’ in Flourishing
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(ed. with others) The Radiator (St Paul’s School) vol. 1 no. 1 (Summer 1928)
- if (as seems likely) there are any contributions by IB, they are unsigned
- one that is almost certainly his is ‘Our Interview with GKC’, 24–5 (repr. at Flourishing 7–8)
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‘Pelican s’en va-t-en guerre: a tale of war and peace’, Pelican Record 19 no. 2 (March 1929), 34–6
- IB was one of the editors of this journal, the magazine of Corpus Christi College, Oxford, from vol. 19 no. 4 (December 1929) to vol. 20 no. 4 (June 1932)
- every issue contains unsigned items, some of which may be his
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(unattributed) Review of Oliver Elton, C. E. Montague: A Memoir, Pelican Record 19 no. 4 (1929), 85–6
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'Music Chronicle' in Oxford Outlook 10 no. 53 (November 1930) 616–27
- The first of a series of five reviews of recent musical events in Oxford written by IB and published between 1930 and 1932
- IB adopted the pseudonym ‘Albert Alfred Apricott’, or 'A.A.A.'
- See also the compilation 'Isaiah Berlin on Music', Bib.299
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Review of Ernst Benkard, Undying Faces, Oxford Outlook 10 no. 53 (November 1930), 628–30
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‘Music Chronicle’, Oxford Outlook 11 no. 54 (March 1931), 49–53
- The second of a series of five reviews of recent musical events in Oxford written by IB and published between 1930 and 1932
- IB adopted the pseudonym ‘Albert Alfred Apricott’, or 'A.A.A.'
- See also the compilation 'Isaiah Berlin on Music', Bib.299
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‘Music Chronicle’, Oxford Outlook 11 no. 55 (June 1931), 131–5
- The third of a series of five reviews of recent musical events in Oxford written by IB and published between 1930 and 1932
- IB adopted the pseudonym ‘Albert Alfred Apricott’, or 'A.A.A.'
- See also the compilation 'Isaiah Berlin on Music', Bib.299
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(unattributed) ‘Oglethorpe University, Ga’, Pelican Record 20 no. 2 (March 1931), 34–40
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‘Alexander Blok’, editorial, Oxford Outlook 11 no. 55 (June 1931), 73–6
- see also letter from D. S. Mirsky with comment from IB, ibid. no. 56 (November 1931), 224–5
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Translation of Alexander Blok, ‘The Collapse of Humanism’, Oxford Outlook 11 no. 55 (June 1931), 89–112
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‘Music Chronicle’, Oxford Outlook 12 no. 57 (February 1932), 61–5
- The fourth of a series of five reviews of recent musical events in Oxford written by IB and published between 1930 and 1932
- IB adopted the pseudonym ‘Albert Alfred Apricott’, or 'A.A.A.'
- See also the compilation 'Isaiah Berlin on Music', Bib.299
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‘Music Chronicle’, Oxford Outlook 12 no. 58 (May 1932), 133–8
- The fifth of a series of five reviews of recent musical events in Oxford written by IB and published between 1930 and 1932
- IB adopted the pseudonym ‘Albert Alfred Apricott’, or 'A.A.A.'
- See also the compilation 'Isaiah Berlin on Music', Bib.299
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Review of Leonard Woolf, After the Deluge, Oxford Outlook 12 no. 57 (February 1932), 68–70
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Review of Havelock Ellis, Views and Reviews: First Series, Criterion 12 no. 7 (January 1933), 295–8
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